ALTER BRIDGE have been spoiling fans with consistent weekly updates via the medium of awesome webisodes that have been lovingly filmed and created just for you guys! The fifth in the series of clips in now available to view and you can see it below. Keep checking back for the rest in the series!

With the hotly-anticipated re-release of their seminal 2001 album ‘Iowa’ due Monday 31st October, Iowa’s favourite sons SLIPKNOT are to be honoured with a very special two-hour documentary on Kerrang! Radio.

The show, which features interviews with vocalist Corey Taylor, drummer Joey Jordison and all-around crazy genius M. Shawn ‘Clown’ Crahan, will air between 10pm-12am tonight (28th October), and you can tune in via the station’s website at kerrangradio.co.uk

‘Iowa’ Tenth Anniversary Edition features the original ‘Iowa’ album in its gnarly, mind-blowing entirety, alongside the full, legendary 2002 London Arena concert as a live CD. The package is rounded out by

The official video for Built To Fall from TRIVIUM‘s latest album, In Waves, is being exclusively premiered on MusicRadar NOW!! Head on over to their website by clicking this link to see how all the teasers the band have been posting all connect in this stunning video!

TRIVIUM are heading over to the UK in December and you can find the dates over on our tour page. You can also pick up a copy of In Waves by clicking this link.

MACHINE HEAD have recorded a video for the track Locust from their new album, Unto The Locust. The video is premiering on NME.com NOW and you can check it out by clicking this link.

The Special Edition of Unto the Locust was released on the 24th of October and if you haven’t got your hands on a copy, head on over to the album profile page on our site to see what versions are available.

KORN’s upcoming album, The Path Of Totality, is now available for pre-order from iTunes. You can see the tracklist for the album below:

1. Chaos Lives in Everything (feat. Skrillex)
2. Kill Mercy Within (feat. Noisia)
3. My Wall (feat. Excision & Downlink)
4. Narcissistic Cannibal (feat. Skrillex and Kill The Noise)
5. Illuminati (feat. Excision & Downlink)
6. Burn The Obedient (feat. Noisia)
7. Sanctuary (feat. Downlink)
8. Let’s Go (feat. Noisia)
9. Get Up! (feat. Skrillex)
10. Way Too Far (feat. 12th Planet, Flinch & Downlink)
11. Bleeding Out (feat. Feed Me)

You can pick up a digital copy of The Path Of Totality from iTunes by clicking this link.

Check out the official video for KORN’s latest single, Narcissistic Cannibal, over on NME.com. The video is a mix of live footage and is a stonker! Click this link to check out the video on NME’s website.

The Path Of Totality is out on the 5th of December and you can pre-order the album by clicking this link.

MEGADETH have written one classic metal anthem after another since the mid-’80s, from the title track from Peace Sells…But Who’s Buying? to “Holy Wars…The Punishment Due,” “Hangar 18,” “Symphony of Destruction”, and many, many more. These are the songs audiences scream for whenever the band tours. But diehard MEGADETH fans always have their favorite deep album cuts – tracks that never became fixtures of the live set, but are every bit as crushing, technically accomplished, and furious as the band’s better-known work. Here are 13 of our favorites…and we’re sure that when you hear the new Megadeth album, TH1RT3EN, when it hits stores on the 31st of October, you’ll be adding a track or three to this list yourselves.

“Chosen Ones” (Killing Is My Business…And Business Is Good, 1985): When you consider that their first three releases contained a mere eight songs each, it’s not easy finding deep cuts. Still, of all the pit anthems unleashed on Megadeth’s debut, “Chosen Ones” was probably the weirdest – especially considering that the guitar parts are basically Deep Purple riffs whipped through a centrifuge – but it’s never one of the tunes that get singled out from this record, and that’s too bad.

“Bad Omen” (Peace Sells…But Who’s Buying?, 1986): Not a whole lot of fat on this sophomore effort, but the lesser of the two satanic invocations on Peace Sells usually gets passed over, despite containing a truly ominous intro and some of Dave Mustaine’s most spitfire vocals. The dude sounds truly demonic, which is appropriate, considering the subject matter.

“502” (So Far, So Good…So What, 1988): The first of many MegaDave songs about driving real fast, this one is also the most harrowing, mostly because it’s about driving real fast while drunk – and its white-knuckle riffing shoves you right into the driver’s seat. Probably based on a true story, but fortunately nobody was hurt in the making of these lyrics – which puts Mustaine one up on his former tourmate, Motley Crue’s Vince Neil.

“Lucretia” (Rust in Peace, 1990): If there are really any deep cuts on Megadeth’s undisputed classic, this is probably the best of them, its witchy woman antagonist mesmerizing Mustaine, and the music featuring a truly creepy climb up and down the scales courtesy of then-guitarist Marty Friedman.

“Captive Honour” (Countdown to Extinction, 1992): The band’s biggest-selling album had some bloat towards the end, thanks to the extended running time allowed by the ascent of the CD. Still, this one stands out mostly due to how insane it is – acoustic guitars, bass-driven melody, quotes from French philosophers, and the daffy skit at the beginning with its unsympathetic judge and nod to the song “Peace Sells.”

“99 Ways to Die” (The Beavis & Butt-Head Experience/Hidden Treasures, 1993/1995): One of the highlights of the otherwise underwhelming Beavis & Butt-Head Experience compilation, this return to the band’s earlier screaming thrash fury made for a welcome detour before they started exploring uncharted realms of rock-radio friendliness.

“Victory” (Youthanasia, 1994): The closing track on Megadeth’s sixth album, “Victory” celebrated the band’s meteoric climb over the previous decade with a fast, dirty little punk song stringing together song titles from the previous five albums. The band still had a long way to go from here, but this song seems like a tacit admission that they were closing the door on the first phase of their career.

“I’ll Get Even” (Cryptic Writings, 1997): Cryptic Writings marked the beginning of Megadeth’s rock radio era. It’s actually stood the test of time better than comparable efforts by some of their contemporaries, thanks to something like five killer singles and this track, with its undeniable chorus, syncopated verses and one of Mustaine’s most inspired vocal performances, dripping with ice-cold venom.

“I’ll Be There” (Risk, 1999): And so we arrive at one of the most notorious flops in metal history. Plenty of ink has been spilled ripping on this record, but quite frankly, it’s nowhere near as bad as its reputation would suggest. Songs like this one are the reason, a testament to Mustaine’s maturity as a songwriter. Putting aside the fact that it’s still really weird to hear Megadeth doing a ballad, this ode to their South American fan base is one of the loveliest compositions Dave Mustaine has written.

“1000 Times Goodbye” (The World Needs a Hero, 2001): In some ways, this attempted return to form was a tepid effort, but there are some serious gems hidden within. For example: this anti-romantic kiss-off, with its catchy chorus, never-ending guitar solo, and Mustaine’s all-time classic spitting out of the phrase “You suck.”

“Something That I’m Not” (The System Has Failed, 2004): This actual return to form may have offered a few too many songs, but the killer-to-filler ratio had improved greatly. Even though Glen Drover’s psych-rock guitar bursts were a new thing for Megadeth, “Something That I’m Not” still had enough bite to remind listeners of the group’s earliest days.

“Play for Blood” (United Abominations, 2007): Megadeth’s arrival on Roadrunner found the band blasting at full throttle. Amidst the political diatribes and videogame theme songs, astute listeners noticed this track, a last-man-standing gunbattle that would appear to be an attempt to make up for Risk’s similarly themed (but much tamer) “Crush ’Em.” And while it may not be as catchy, it certainly made better music for killing the Locust in Gears of War.

“The Hardest Part of Letting Go…Sealed with a Kiss” (Endgame, 2009): On Megadeth’s late-period masterpiece, Mustaine turned his penchant for ellipse-divided song titles and structure on its head by applying it to this poisonous love song. Bringing in synth strings and flamenco-influenced guitar stylings from Chris Broderick, Mustaine and producer Andy Sneap transformed what could have been a fairly standard ballad into a snarling Megadeth ballad.

MEGADETH‘s TH1RT3EN is now available for pre-order on iTunes nd Play.com. Click the links below to get your hands on a copy:

Buy TH1RT3EN on iTunes
Buy TH1RT3EN on Play.com

Story by Jeff Treppel