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Dana Dentata


Posted on October 3, 2011

MetalSucks.net recently conducted an interview with DREAM THEATER’s Mike Mangini covering all things drums. We don’t think they realised what they were in for…

‘When I contacted Dream Theater’s press folks for a Rigged interview with new drummer Mike Mangini about his new kit, I didn’t realize I’d end up publishing a book.

But that’s the kind of dude Mangini is; incredibly passionate, earnest, easy-going, and without a doubt one of the nicest guys I’ve ever spoken with on record. He’s also a gear nerd of the highest order, and the drum kit he’s hauling around with him on tour with Dream Theater is no joke. Mangini’s set up is so complexand his explanations so detailed, we’ve decided to split up this Rigged feature into three parts to avoid the dreaded wall of text. Drummers in the MetalSucks readership are gonna LOVE what we’ve got in store for you.’

We’ve selected extracts from the interview below and if you click each title, you can real the full articles on MetalSucks.net:

Part 1

Basically the pedals thus far are four acoustic kick drums and two remote hi-hats. There are two more pedals: one to the extreme left and extreme right. They’re both also slave pedals. On my far right foot is actually a righty double pedal where I’m playing slave such that the beater connects to an E Pro Pad. Pearl has an electronic drum set called E Pro, and I’m using one of the pads to my far right. Similarly, on the far left I have a lefty double pedal, a slave double pedal that stretches to another E Pro. These I use for triggering. For example, with the upcoming tour, I have a giant concert bass drum for one particular tune with the right foot and I have a cowbell assigned to that E Pro Pad on my far left foot. With the new album, those two trigger pedals are triggering anything from timpani to cowbells that are tuned exactly to the notes that Jordan (Rudess), John (Myung) and John (Petrucci) are playing. By having 8 pedals (4 acoustic kicks, 2 electronic ones and 2 hi-hats) they are arranged such that I can adhere to Mike Portnoy’s original drum track – be it a 26″ kick drum or a 22″ kick drum or a small one because Mike grew from having just a regular double bass kick starting with 24″s, I believe.


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