Transgression’ is arguably Fear Factory’s most explorative studio album to date, displaying a more mature and experimental sound. “This album is very precise and heavy,” says drummer Raymond Herrera. “It’s reminiscent of ‘Obsolete’, in that it has a big, cinematic sound to it.”
This sound, which can be partially attributed to producer Toby Wright’s (Alice in Chains, Korn, Metallica) influence, embodies the distinctive combination of Herrera’s machine-like drumming and vocalist Burton C. Bell’s trademark bipolar vocal style. Guitarist Christian Olde Wolbers and bassist Byron Stroud round out the sound with bludgeoning assaults, as the band’s usual backing keyboards add a surreal atmosphere to the 12 songs.
“Toby is a really big fan,” says Herrera. “It’s not like we’re bringing in a heavy hitter just for the sake of doing it. He understands what the band is about.” Bell seconds that opinion: “We are all very, very excited about the collaboration with Toby.”
A truly notable feature of ‘Transgression’ is the presence of an impressive guest musician: former Faith No More bassist Billy Gould, who contributed his talents to “Echo of My Scream” and “Super Nova”. “Billy brings a different vibe to the music, the way his bass lines move around the beat and drive the songs with a unique element,” said Bell.
Other big plans for Fear Factory in the summer of 2005 include their participation on the main stage of ‘Gigantour’ in the US. The band was hand picked by Dave Mustaine, the mastermind behind speed metal legends Megadeth, who will be co-headlining the tour.
